Graffiti Research Lab and friends hacked together a high powered projector with some computer components and a camera to track the writings of a 60mW Green Laser on the side of a building in Rotterdam and project it as blue graffiti. See the video.
Dedicated to the increase and diffusion of information about how the nation's lands are apportioned, utilized, and perceived.
The Center for Land Use Interpretation is a research organization interested in understanding the nature and extent of human interaction with the earth's surface. The Center embraces a multidisciplinary approach to fulfilling the stated mission, employing conventional research and information processing methodology as well as nontraditional interpretive tools.
The organization was founded in 1994, and since that time it has produced over 30 exhibits on land use themes and regions, for public institutions all over the United States, as well as overseas. Public tours have been conducted in several states, and over ten books have been published by the CLUI. CLUI Archive photographs illustrate journals, popular magazines, and books by other publishers, and have been used in non-CLUI exhibitions, and acquired by art collectors.
The CLUI exists to stimulate discussion, thought, and general interest in the contemporary landscape. Neither an environmental group nor an industry affiliated organization, the work of the Center integrates the many approaches to land use - the many perspectives of the landscape - into a single vision that illustrates the common ground in "land use" debates. At the very least, the Center attempts to emphasize the multiplicity of points of view regarding the utilization of terrestrial and geographic resources.
From April until the end of May 2006, the Mobile Studios has travelled as a nomadic multimedia platform from Bratislava, Budapest and Belgrade to Sofia, and temporarily possessed the urban spaces in these cities. The Mobile Studios are an internationally networked pilot project of a mobile, autonomous production laboratory for young artists, musicians, performers and cultural programmers. In a subsequent program, artists and cultural producers were invited to recreate the studio as directors. Mobile Studios are consisting of three corresponding units: the Editorial-, the Talk- and the Live Studio.
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